We designed a 60-page printed report, custom information graphics, and a web slideshow for Monterey Bay Aquarium's twenty-fifth anniversary release, Turning the Tide: The State of Seafood. The report chronicles the latest in ocean research and provides the aquarium's recommendations for best practices surrounding the seafood industry. This report was a collaboration with California Environmental Associates.

The Chicago Architecture Foundation recently launched TAH2.org, the pilot for the online version of their popular high school textbook, The Architecture Handbook. The site is structured in two parts: a textbook, and a community-driven studio space where students can post design projects and receive feedback from professional architects. Esther worked in collaboration with Palantir.net to realize this site.

We have designed and developed various online projects for the New York Philharmonic, including animations, electronic announcements, blog and Tumblr pages, and a Newsroom website. The organization's recent rebranding communicates the new, fresh direction for the symphony. The online tools we have designed for them support this endeavour.

Over the years, we've done a variety of print work for community arts organization, New Urban Arts. From announcements to newsletters and exhibition materials, every piece of design emphasizes the artwork produced by their community of students and emerging artists.

Sea Change Management supports companies by funding and facilitating ecologically-sustainable business practices. The identity that we designed for them reflects both their philosophy of incremental change, and their original sector focus: the oceans. The business card is letterpress-printed on duplex paper.

These marketing websites for Random House and its imprints offer readers a variety of interactive tools and features, from interviews and excerpts to tour schedules, reading group tools and digital postcards.

This comprehensive website for the Sam Fox School of Design and Visual Arts at Washington University unifies their art and architecture schools, art museum, and newsroom. The site links common content via the events calendar, directory, and news blog. As a visitor navigates the main site, they can read the latest school news by sliding the browser to the right, or they can navigate seamlessly to the museum site. Esther was the lead designer for both the site design and the school's rebranding while at Studio Blue.

UCDA 2009 Annual Design Competition winner

The design of the permanent collection catalog for Krannert Art Museum communicates two narratives at once; It chronicles the artwork in the collection, and tells the history of collecting and curatorship at the museum. Washes of color, expressive type treatments, and pamphlet insertions communicate the museum's approach of unfolding stories and meaning over time. Esther was the lead designer of this project while at Studio Blue.

AIGA 50 Books/50 Covers winner, 2008;
Print Magazine Regional Design Annual selection, 2009

TEDMED is a division of the TED conference that focuses on the future of medicine and the healthcare industry. Asking smart questions is the foundation of the TED concept, and the objective of this website site was to attract conference attendees as well as media and sponsor interest. Mary-Jo completed the website design and copywriting while working with Radical Media.

The Driehaus Museum is a meticulously preserved Victorian home turned private art museum. Its website not only exhibits the artwork and the historic beauty of the place, but also tells a deep story of the preservation processes that contributed to the restoration of the building, its rooms, and its furnishings. A special Flash exploration tool allows site visitors to discover the house room by room. Esther led the design of this site at Studio Blue.

Archive09 winner, Society of Typographic Arts

We designed Saving Our Vanishing Heritage a 68-page printed report for Global Heritage Fund, a non-profit dedicated to saving archaeological heritage sites around the world through investment in sustainable preservation. The report was released at the The Forum on Cultural Heritage in a Developing World conference at Stanford in October 2010. Information graphics and illustrated data helped tell the story.

We worked with The Energy Foundation to design a visual identity, website, and digital brochure for Global Cool Cities Alliance. The alliance advocates for the implementation of cooler roofs and surfaces in cities to help combat global warming. Our information graphics and illustrations helped translate key scientific concepts such as albedo and the heat island effect.

Visit the site at globalcoolcitiesalliance.org

We designed a brochure for Ideas42, a think tank that applies behavioral economic and other social science theories to help solve common social problems. We communicated their unique approach by pairing unexpected photographs with three sample areas of their work: energy conservation, saving for retirement, and avoiding foreclosure.

Our work for National Association of Charter School Authorizers (NACSA) spans user interface and intuitive form design to brochures. The organization serves the charter school community by helping public school officials assess and report on the effectiveness of public education.

Images coming soon.

We designed the cover and interior for Friendship and Healing, a 128-page book about the correspondence between founding fathers John Adams and Benjamin Rush. The design includes a glossy 8-page color gallery which houses 9 art plates. It is bound as a soft cover with flaps.

Images coming soon.

This toolkit consists of five pieces: a custom folder, three booklets (on the themes of the Gulf's treasures, ecological problems, and OC's restoration approach), plus a handy pocket guide with citizens' resources and a jargon translator. The design emphasizes the interconnection between Gulf habitats and communities, and the need for an equally integrated restoration process.

2010 Sappi Ideas that Matter Grant winner

Esther is a designer based in Chicago, Illinois. She holds an MFA in graphic design from Rhode Island School of Design and a BA in cultural anthropology from Columbia University. She has over ten years of experience in print and interface design, having worked both in-house and for clients in the arts, culture, architecture, and technology sectors. She has taught design at the School of the Art Institute of Chicago and RISD.

Mary-Jo has worked for ten years in media development and design, with experience in web, radio and print environments. She holds a BA in English from Princeton University and an MFA in graphic design from Rhode Island School of Design. She lives in New York and teaches graphic design history at Parsons The New School for Design.